Forget movie twists, any writer can tell you it was all a dream. The real challenge in making a movie that people get into is the ‘Big Uh Oh.’ That’s the point in the movie where life is never going to be the same for the main character. For example, ‘Uh-oh Dorothy is running away from home. Here comes a Twister!!! Now that’s a Big uh-oh. We’re not in Kansas anymore!’ Get it? Okay, cool, let’s proceed with some of the Biggest Uh-Ohs, in no particular order.
Vertigo Scottie (played by James Stewart) blows his cover when Madeline– Uh Oh! tries to kill herself by jumping into the San Francisco Bay.
2001 A different kind of big Uh Oh, 2001 presents the viewer with a jarring cut from a bone thrown in the air in prehistoric times to an orbiting space station, letting audiences know anything can happen, and probably will. And then does.
The Wizard of Oz Okay, I used it as an example, but it’s definitely one of the best, fascinating Uh-Ohs in movie history.
The Last Boy Scout As the movie starts, a football player runs down the field to avoid being tackled. As an opposing player comes to tackle him, the player with the ball pulls out a handgun and shoots the opponent, uh-oh. He improbably makes it to the end zone and turns the handgun on himself. Big Uh-Oh. Just what kind of movie is this? While I agree this scene borders on the absurd in 1991, it is oddly prescient of the media ultraviolence which would become commonplace in the 21st century.
Double Indemnity This one is pretty easy, but also interesting, because of the flashback structure, we’re already saying uh-oh when Neff starts his tale, but the Big Uh-Oh comes when he and Phillis decide to commit murder, most foul.
Toy Story Uh oh, theres a new toy; Big Uh-Oh– I’m lost with him!!!
Close Encounters of the Third Kind Despite being voted off the AFI 100 Greatest Movies list 10th anniversary, Close Encounters remains a masterwork and when Richard Dreyfuss encounters alien spacecraft, the audience says uh oh, but when little Barry is presumably abducted, the big Uh Oh has commenced.
Psycho Hitchcock again proves he is the master of the big Uh Oh, when Norman’s ‘Mother’ murders the little uh oh personified by Marion Crane in the shower and creating a big Uh-Oh.

Surprise! He doesn’t want the money.






